Wednesday, September 23, 2009

Blog Post 8: Inferences

After searching and searching for a photograph, I've finally found one that stands out. After looking at this picture for a while, I began to feel free and limitless. This picture, labeled "Shepherd with his horse and dog on Gravelly Range, Madison County, Montana," gives the audience a peek into the life of a man who herds sheep for a living. Though there's only one person in this picture, the relationships displayed are truly remarkable. As a shepherd, this man probably lives a rather solitary life. The empty, barren background supports this assertion. The only day-to-day relationships that he maintains are with his horse, his dog, and the sheep that he shepherds.

The alignment of the man, the horse, and the dog are reflective of their relationships. The shepherd is the highest character in the photo, supporting the true meaning of what it is to be a shepherd. He is shown as a leader and supervisor over all. Even the camera is lowered slightly so that the shepherd is raised above the center of the photograph. The horse, being slightly lower, is closely related to the shepherd as his main means of transportation. The horse holds him up, allowing him to see over the sheep and watch for predators. The dog sits at the shepherds feet, loyally looking up to the shepherd and waiting for a command. In this sense, the dog's posture creates a symbol that represents the common perception of dogs and their loyalty towards their masters. The dog and the horse are both probably the shepherd's closest companions.

As I mentioned already, the dog's attention is aimed at the shepherd. But where is the focus of the shepherd and his horse? Rather than smiling at the camera, the shepherd's attention is directed somewhere off the edge of the photograph. Here I notice that the shepherd and his horse are aligned on the right side of the photograph, allowing some of the background to be viewed in full. The background is composed of grassy hills and partly cloudy skies; the main feature here is the horizon line. This leads me to believe that the shepherd is probably viewing the same sort of scenery. He probably experiences the same expansive setting, heading towards the same distant horizon every single day.

Though the day appears to be bright and sunny, the shepherd is wearing a long-sleeved jacket, pants, boots, and gloves. This gives him a sort of weathered look, as if he is prepared to tackle the job at hand in any given conditions that are thrown his way. From both his clothing and his aged appearance, it can be concluded that he has much experience and wisdom in shepherding. As he looks out into the rising sun, it's easy to see that he's ready to face whatever the day presents to him.

Monday, September 21, 2009

Blog Post 7: Photography

When I think of photography, my primary emotions are that of annoyance and boredom. My most common experiences with photography are placed at events such as family reunions and vacations where there's always someone who wants to take five million pictures of the five million combinations of family members in front of five million different backgrounds. Of course, the process must be repeated immediately with a different camera, too. I know these instances aren't meant to be professional, artistic photography where every little detail makes a difference in the final product, but that doesn't change the fact that I absolutely hate having my picture taken.

When I'm on the other side of a camera, though, my feelings completely change. As a photographer, I'm about as inexperienced as photographers can be. However, I absolutely love to edit pictures with photoshop. "Photoshopping" will always be my favorite form of photography, whether the goal is to submerge myself and a group of friends into a scene from "The Lord of the Rings" or to design a puzzle that makes the viewer ask "How did he do that?"

Unfortunately, I'm rather inexperienced with all forms of photography--even "photoshopping." I've always enjoyed viewing photographs of sunsets, mountains, and other impressive landscapes, and I've always thought it would be fun to capture scenes like that on film, but good cameras are so overwelmingly expensive and I never have the time or money to simply drop everything and go on a photo-taking road trip. Excluding pictures from the photoshop-world, I've never really liked pictures of humans, animals, buildings, etc. I'm not completely sure why I dislike these pictures. It could be that when I take the time to admire a photograph, I'm not looking at it to figure out what kind of an argument the photographer is trying to make; I'm simply admiring the beauty what's captured in the photograph itself.