This comic strip is all about the concept of denial. Most psychologists believe denial to be a defense mechanism than can lead to psychological disorders, but Bill Watterson, the author of this strip argues otherwise. Watterson fights against the ill-conceived notions of denial by showing that the imagination, a tool of denial, is something beneficial that we should all use more often. While Calvin looks at denial positively, his teacher represents the negative views associated with it. Like most--if not all--Calvin and Hobbes comic strips, Calvin is the character making a statement in support of Bill Watterson's personal opinions. Clearly, he supports the use of the imagination, even though it can be easily associated to denial. In the case of this comic strip, Calvin imagines himself flying through the sky as a prehistoric bird. This is shown in a positive way because birds and the concept of flight itself is often symbolic of freedom. Calvin, out of complete boredom, denies his own existence in the classroom, thus freeing his mind as the pterodactyl in the comic strip is free from the confines of gravity. Clearly, Calvin's imagination is being shown in a way that supports Watterson's views, thus generating an ethos.
To me, the most evident method of supporting my argument would be to make various comparisons between two aspects of the comic strip. First of all, the strip causes the audience to compare reality and imagination by depicting Calvin's life in small uniformly shaped panels and his imagination in larger, more detailed panels. In a likewise manner, the two frames that show Calvin's teacher yelling and bringing Calvin out of his dream state are both set up in a manner that causes the audience to make another comparison. Finally, the two panels positioned next to each other that display Calvin's reality can be used to compare the positive and negative aspects of the imagination and its role in denial. Of course, after each comparison I must also tie my sub-arguments back to the psychoanalytical context of denial.
My target audience is anyone who is either against using their imagination or who simply doesn't use it enough. In my opinion, nobody--including myself--ever uses their imagination enough (I suppose you could then say that my audience is everyone). However, my goal is not to force my own opinions onto the audience; I simply hope that a few windows are opened once the audience views Watterson's comic and sees his methods for forming his argument. Psychoanalysis, being the main context of my essay, plays a vital role in supporting my arguments; thus, I need to be certain that my research is accurate considering the fact that my audience may include people who know much about psychology. Also, Watterson's comic does nothing to disprove any theories of psychoanlysis; he is simply expressing his view on the matter. Mentioning this might be helpful in the rare case of some crazy psychologist trying to argue with Bill Watterson or my essay.
Saturday, October 31, 2009
Wednesday, October 28, 2009
WP2: Pre-Writing Assignment 2
At a glance, the most noticeable portion of my primary comic strip is the enlarged frames depicting dinosaurs. However, rather than focus on the dinosaurs, this strip is centered around the fact that these frames are showing Calvin's imagination, or, more specifically, a particular daydream in his geography class. Because of this, I researched dreaming and its purpose from a psychological point of view. Sigmund Freud, a famous neurologist who developed psychoanalysis, theorized that dreams are basically a "fulfillment of wishes" (Chiriac 5). Likewise, Calvin fulfills his wish of being as free as a bird flying high in the sky. He most likely chooses a pterodactyl in prehistoric times to further distance himself from his classroom in the present.
Bill Watterson also gives the word "denial" an important role as he devotes an entire frame to the one-word answer from Calvin. Likewise, denial seems to be an important topic to Sigmund Freud in his study of psychoanalysis. According to Freud, denial is a defense mechanism that entails "ignoring or refusing to believe an unpleasant reality" (Encyclopedia of Mental Disorders 3). I think this description matches exactly with what Calvin is experiencing; he chooses to ignore his unpleasant geography class by daydreaming, imagining himself flying through the sky as a prehistoric bird.
Today, however, defense mechanisms such as denial are regarded as "potentially maladaptive behavioral patterns that may lead to psychological disorders" (Encyclopedia of Mental Disorders 3). This view is reflected through Calvin's teacher as she says "I don't suppose I can argue with that..." after Calvin suggests that he is in a state of denial. Calvin's teacher speaks of denial in a negative manner, with an annoyed expression on her face, hinting that Calvin has one of the aforementioned psychological disorders. This view completely contradicts how Calvin feels as he speaks of denial in a simplistic manner with a huge smile on his face.
I can see more clearly now that this comparison between positive and negative views of denial is meant to be made by the audience. The two panels depicting these two points of view are the only two panels placed by another panel displaying reality; the only other panel that isn't displaying Calvin's dream is positioned in front of one of the dream panels, forcing a comparison of imagination and reality. Also, the different levels of detail between panels displaying reality and those displaying Calvin's dream play a more prominent role. The panels displaying Calvin's dream appear to be more realistic than those of his reality. In a likewise manner, people experiencing denial might lose themselves in a false reality created by their very own subconscious in order to deal with a traumatic event or unsatisfactory conditions.
Calvin and Hobbes comic strips are well known for expressing Bill Watterson's opinions through the seemingly childish actions and words of his main character, Calvin. This allows Watterson to comically address issues that most likely wouldn't be comical in reality. For example, Calvin's state of denial in geography class is much more amusing to see than a case of someone who might initially experience denial after losing someone close.
Bill Watterson also gives the word "denial" an important role as he devotes an entire frame to the one-word answer from Calvin. Likewise, denial seems to be an important topic to Sigmund Freud in his study of psychoanalysis. According to Freud, denial is a defense mechanism that entails "ignoring or refusing to believe an unpleasant reality" (Encyclopedia of Mental Disorders 3). I think this description matches exactly with what Calvin is experiencing; he chooses to ignore his unpleasant geography class by daydreaming, imagining himself flying through the sky as a prehistoric bird.
Today, however, defense mechanisms such as denial are regarded as "potentially maladaptive behavioral patterns that may lead to psychological disorders" (Encyclopedia of Mental Disorders 3). This view is reflected through Calvin's teacher as she says "I don't suppose I can argue with that..." after Calvin suggests that he is in a state of denial. Calvin's teacher speaks of denial in a negative manner, with an annoyed expression on her face, hinting that Calvin has one of the aforementioned psychological disorders. This view completely contradicts how Calvin feels as he speaks of denial in a simplistic manner with a huge smile on his face.
I can see more clearly now that this comparison between positive and negative views of denial is meant to be made by the audience. The two panels depicting these two points of view are the only two panels placed by another panel displaying reality; the only other panel that isn't displaying Calvin's dream is positioned in front of one of the dream panels, forcing a comparison of imagination and reality. Also, the different levels of detail between panels displaying reality and those displaying Calvin's dream play a more prominent role. The panels displaying Calvin's dream appear to be more realistic than those of his reality. In a likewise manner, people experiencing denial might lose themselves in a false reality created by their very own subconscious in order to deal with a traumatic event or unsatisfactory conditions.
Calvin and Hobbes comic strips are well known for expressing Bill Watterson's opinions through the seemingly childish actions and words of his main character, Calvin. This allows Watterson to comically address issues that most likely wouldn't be comical in reality. For example, Calvin's state of denial in geography class is much more amusing to see than a case of someone who might initially experience denial after losing someone close.
Works Cited
Chiriac, Jean. "Dream Interpretation and Psychoanalysis." 2009. AROPA <http://freudfile.org/psychoanalysis/dream_interpretation_and.html>.
Encyclopedia of Mental Disorders. "Denial." 2009. Advameg, Inc. <http://www.minddisorders.com/Del-Fi/Denial.html>
Encyclopedia of Mental Disorders. "Denial." 2009. Advameg, Inc. <http://www.minddisorders.com/Del-Fi/Denial.html>
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